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Hilarion Manero, Studie for King David, 2005: pencil and ballpoint drawing of a bearded man with a harp and a lion

Studie for King David

by

Hilarion Manero

 
 
 

Year

2005

 

Size

27,9 x 21cm

 

Material

Pencil and ballpoint pen on paper

 

Price

on request

Inquire

Other works of art by Hilarion Manero

Hilarion Manero, Hommage à Baudelaire, 2001: pencil and charcoal drawing of a man's face

Name Hommage a Baudelaire
Size 27,9 x 21cm
Year 2001

Hilarion Manero, Selfmorde des Judas, 2007: pencil and ballpoint drawing of a hanging figure between arches

Name Selfmorde des Judas
Size 27,9 x 21cm
Year 2007

Hilarion Manero, Studie for King David, 2005: pencil and ballpoint drawing of a bearded man with a harp and a lion

Name Studie for King David
Size 27,9 x 21cm
Year 2005

Hilarion Manero, The River Styx, 2005: charcoal and pencil drawing of a seated naked woman with a second figure

Name The River Styx
Size 27,9 x 21cm
Year 2005

Hilarion Manero, Good-Luck-Bone, The Deal – Die Abmachung, 2006: painting of two faces close together on a red background

Name Good-Luck-Bone, The Deal-Die Abmachung
Size 50 x 49,5 cm
Year 2006

Hilarion Manero, Copper Face, 2000: painting of a woman's face with dark hair and red lips in close-up

Name Copper Face
Size 40 x 30 cm
Year 2000

Hilarion Manero, Venus One – Thalassa, 2003: painting of a seated naked woman with red hair against a dark background

Name Venus One - Thalassa
Size 83,5 x 98 cm
Year 2003

Hilarion Manero, Love is the Beauty of Defence, 2002: wide painting with several women's heads on a blue background

Name Love is the Beauty of Defence
Size 44 x 172 cm
Year 2002

Hilarion Manero, Nox at the Doors of plutonium, 2014/15: dark painting with stones and cloth beneath an evening sky

Name Nox at the Doors of plutonium
Size 111 x 216,1 cm
Year 2014/15

Hilarion Manero, The Book of Death (Chapter 5 – The whims of Uranus und der Mond Klymene), 2015: dark painting with rock shapes against a night sky

Name The whims of Uranus und der mond Klymene
Size 111 x 142,3 cm
Year 2014/15

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Working Note JMH Schindele | March 27, 2018

 

So now the plan is fixed! Who would have expected that suddenly everything would be moving so fast?? Elshan Ghasimi made a suggestion, I gratefully accepted: She wants to set 38 objects from the estate of El Arbi Bouqdib into music. She wants to translate them into her own subjective and beautiful language of Classical Persian Music. In dialogue with uncertain pasts.

The objects/souvenirs/relics – how should I call these memorial stones? – will be ’staged‘ by Michal Martychowiec. The objects, their symbolic qualities form a polyphonic chorus that speaks of Bouqdib’s life. As a curator working with such diverse artists as a Persian musician and Martychowiec, an intellectual interrogator of 20th-century art, it is my concern to bring these different modes, possibilities and qualities into a common form.

For this, however, we need a new concept … The idea of ​​the concert exhibition just popped into my head. After all, Ghasimi is giving concerts and is composing for objects. So, Concert-Exhibitions. Ephemeral and permanent …

Yes, it’s a huge question how a life can (and should!) be told. And I am happy (and a bit relieved even) that this long story of Bouqdib, his life, his time, his person and his work begin with music. After all, what could be freer as an approach? Almost like a dance and very volatile.

Our concern is the poetic reconstruction of the past. Truth and Fiction (Dichtung und Wahrheit) like good old Goethe said.

I am very happy to supervise and curate this project!

März 2018 (1397/1439 a.H.“)

Contact

Hermes Logios, line drawing of an ancient statue of the messenger god Hermes (Rome, Villa Ludovisi)

Logios Hermes (Rome, Villa Ludovisi.)

 

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Portrait of Inge Buck at a table, photo Julia Baier
Inge Buck - Unter dem Schnee

 

Inge Buck & Elshan Ghasimi: „Was bleibt“

Berührt und inspiriert von dem zweisprachigen Gedichtband „Unter dem Schnee“ der Lyrikerin Inge Buck, übertragen ins Persische von Madjid Mohit, hat die iranische Musikerin und Komponistin Elshan Ghasimi eigene Kompositionen geschaffen. Die poetische Bilderwelt, die Rhythmen und Metaphern hat sie auf dem persischen Saiteninstrument Tar in eine kongeniale musikalische Sprache übertragen.

Ein poetischer Dialog zwischen Lyrik und Musik, zwischen Orient und Okzident, zwischen den Gedichten von Inge Buck und den musikalischen Interpretationen von Elshan Ghasimi: „Die Töne kommen zu mir, ganz natürlich wachsen sie, wenn ich die Gedichte lese.“

Ein Bogen zwischen den Kulturen wird gespannt. Im Dialog und in der Stille zwischen persischer Musik und deutschsprachigem Text entstehen vor dem inneren Auge der Hörer aus Zeilen und Tönen Welten: über Stadtlandschaften und Natur, Jahreszeiten und Lebenszeit, über Vergessen und Erinnern, über Krieg, Exil und Flüchtlingsheim, über die Sprache der Bücher und die Aufbewahrung von Verlorenem in einem Gedicht.

Elshan Ghasimi und Inge Buck, zwei Künstlerinnen aus unterschiedlichen Kulturen, Sprachen und Generationen begegnen sich in ihrem Zusammenspiel: die Texte öffnen sich zur Musik, die Musik zu den Texten.

Konzert-Lesung am 30. August 2018 in Bremen
Beginn 19 Uhr
Buchhandlung Leuwer | Am Wall 171 | 28195 Bremen

Konzert-Lesung am 3. September 2018 in Berlin
Beginn 20 Uhr
Lettrétage | Mehringdamm 61 | 10961 Berlin

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