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2-8 Van Gogh (date unknown): a yellow 3.5-inch floppy disk on a black background

2-8 | Van Gogh (unknown)

 

Authors

El Arbi Bouqdib Archive (Michal Martychowiec, Julian M. H. Schindele)

 

Origin

Elies Miniatures II: Archivblumen [Disketten]

 

Year

2018

 

Size

50 x 80 cm

 

Material

Inkjet print on Hahnemühle Photo Rag Baryta

 

Edition

2 of 8

 

Price

1,000€ (inkl. VAT)

Inquire

More works of art from the El Arbi Bouqdib Archive

Magnetic Field Generator (frühe 90er): kleine Kupferspule auf einer Acrylplatte über einer Landkarte|1-1 Magnetfeldgenerator | Magnetic Field Generator (early 1990s): small copper coil on an acrylic plate above a map

Name 1-1 | Magnetfeldgenerator | Magnetic Field Generator (early 90s)
Size 50 x 80 cm
Year 2018

April 1947 – May 1947 (1984): aufgeschlagenes Buch mit Zahlentabellen vor schwarzem Hintergrund|1-4 Rosicrucian Ephemeris 1900-2000: At Midnight, 0 Hour Tdt | April 1947 – May 1947 (1984): open book with tables of figures on a black background

Name 1-4 | Rosicrucian Ephemeris 1900-2000: At Midnight, 0 Hour Tdt | April 1947 – May 1947 (1984)
Size 50 x 80 cm
Year 2018

1-10 Der Blumenstachel oder das cartesianische Denken (date unknown): a small brass flower frog on a marble slab

Name 1-10 | Der Blumenstachel oder das cartesianische Denken (unknown)
Size 50 x 80 cm
Year 2018

1-11 HP-41CX (1983 at the earliest): a pocket calculator standing on a map

Name 1-11 | HP-41CX (at the earliest 1983)
Size 50 x 80 cm
Year 2018

2-1 WIN WORD ARAB 6.0 (date unknown): a 3.5-inch floppy disk with a handwritten label on a black background

Name 2-1 | WIN WORD ARAB 6.0 (unknown)
Size 50 x 80 cm
Year 2018

2-8 Van Gogh (date unknown): a yellow 3.5-inch floppy disk on a black background

Name 2-8 | Van Gogh (unknown)
Size 50 x 80 cm
Year 2018

2-10 Schwarzer Monolith (date unknown): a black 3.5-inch floppy disk, barely visible on a black background

Name 2-10 | Schwarzer Monolith (unknown)
Size 50 x 80 cm
Year 2018

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Working Note JMH Schindele | March 27, 2018

 

So now the plan is fixed! Who would have expected that suddenly everything would be moving so fast?? Elshan Ghasimi made a suggestion, I gratefully accepted: She wants to set 38 objects from the estate of El Arbi Bouqdib into music. She wants to translate them into her own subjective and beautiful language of Classical Persian Music. In dialogue with uncertain pasts.

The objects/souvenirs/relics – how should I call these memorial stones? – will be ’staged‘ by Michal Martychowiec. The objects, their symbolic qualities form a polyphonic chorus that speaks of Bouqdib’s life. As a curator working with such diverse artists as a Persian musician and Martychowiec, an intellectual interrogator of 20th-century art, it is my concern to bring these different modes, possibilities and qualities into a common form.

For this, however, we need a new concept … The idea of ​​the concert exhibition just popped into my head. After all, Ghasimi is giving concerts and is composing for objects. So, Concert-Exhibitions. Ephemeral and permanent …

Yes, it’s a huge question how a life can (and should!) be told. And I am happy (and a bit relieved even) that this long story of Bouqdib, his life, his time, his person and his work begin with music. After all, what could be freer as an approach? Almost like a dance and very volatile.

Our concern is the poetic reconstruction of the past. Truth and Fiction (Dichtung und Wahrheit) like good old Goethe said.

I am very happy to supervise and curate this project!

März 2018 (1397/1439 a.H.“)

Contact

Hermes Logios, line drawing of an ancient statue of the messenger god Hermes (Rome, Villa Ludovisi)

Logios Hermes (Rome, Villa Ludovisi.)

 

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Portrait of Inge Buck at a table, photo Julia Baier
Inge Buck - Unter dem Schnee

 

Inge Buck & Elshan Ghasimi: „Was bleibt“

Berührt und inspiriert von dem zweisprachigen Gedichtband „Unter dem Schnee“ der Lyrikerin Inge Buck, übertragen ins Persische von Madjid Mohit, hat die iranische Musikerin und Komponistin Elshan Ghasimi eigene Kompositionen geschaffen. Die poetische Bilderwelt, die Rhythmen und Metaphern hat sie auf dem persischen Saiteninstrument Tar in eine kongeniale musikalische Sprache übertragen.

Ein poetischer Dialog zwischen Lyrik und Musik, zwischen Orient und Okzident, zwischen den Gedichten von Inge Buck und den musikalischen Interpretationen von Elshan Ghasimi: „Die Töne kommen zu mir, ganz natürlich wachsen sie, wenn ich die Gedichte lese.“

Ein Bogen zwischen den Kulturen wird gespannt. Im Dialog und in der Stille zwischen persischer Musik und deutschsprachigem Text entstehen vor dem inneren Auge der Hörer aus Zeilen und Tönen Welten: über Stadtlandschaften und Natur, Jahreszeiten und Lebenszeit, über Vergessen und Erinnern, über Krieg, Exil und Flüchtlingsheim, über die Sprache der Bücher und die Aufbewahrung von Verlorenem in einem Gedicht.

Elshan Ghasimi und Inge Buck, zwei Künstlerinnen aus unterschiedlichen Kulturen, Sprachen und Generationen begegnen sich in ihrem Zusammenspiel: die Texte öffnen sich zur Musik, die Musik zu den Texten.

Konzert-Lesung am 30. August 2018 in Bremen
Beginn 19 Uhr
Buchhandlung Leuwer | Am Wall 171 | 28195 Bremen

Konzert-Lesung am 3. September 2018 in Berlin
Beginn 20 Uhr
Lettrétage | Mehringdamm 61 | 10961 Berlin

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